đ» The Clive SagaâŻââŻCHAPTERâŻ18 -The Shop Foremanâs Revolt


âListen,âŻKid, Iâm not going to stand for this type of treatment anymore.â
âWhat kind of treatment is that,âŻClive?â
âKid, youâre pushing all my buttons today. If youâre not careful, youâll be sporting a bigâŻâZââŻon that backside of yoursâŻââŻwhich even a dead guy canât miss. IâmâŻDonâŻClive, but you will address me asâŻElâŻZorroâŻdeâŻlaâŻSunflower.âŻGot it? Or expect to be standing up for a while until things heal.â
âZorroâŻââŻIâm not saying that twelveâword name of yours youâre suddenly attached to. So,âŻZorro, are you calling me fat? Itâs not very gentlemanâlike to call someone fat when you know theyâre working on getting thinner.â
âAnd what exactly would you know about being a gentleman,âŻElâŻSargentoâŻJuan?â
âI know when someone isnât one,âŻElâŻZorro.â
What's the real issue?
âHave it your way,âŻKid. âYou canât keep me locked up in the shop for days on end. Besides, itâs a twoâcar garageâŻââŻyou make it sound like an amazing workshop.â
âWell, it has all the attributes of a workshop: sawdust, hand tools, power tools, and a maker whoâs constantly working on wood.
âDonât forget a maker whoâs constantly turning beautiful wood into expensive sawdust. A maker whoâs spent days trying to turn bowl blanks into bowls.ââAnd where are these bowls anyway,âŻKid?â
âYou know full well I decided to pivot to cutting the stabilized blanks.â
âSo you have nothing to show for days of effort,âŻKid?â
ElâŻZorro, I have a nice collection of cuts and bruises on my hands and a beatâup ego.
âMaybe you should have let me supervise instead of keeping me locked up in the shop. You know I need to be out and visible to the gentle townspeople ofâŻClinton. They need to see thatâŻIâŻââŻElâŻZorroâŻdeâŻlaâŻSunflowerâŻââŻam on the job.â
âWhat I do know,âŻElâŻZorro, is that referring to yourself in the third person is never the correct choice.â
âBah! English is such a barbaric language. Now SpanishâŻââŻthat flows from your lips like dew distilling from the heavens.â
âWeâre done talking about this,âŻElâŻZorro.â
âFine. Then explain to me why youâve squandered your hardâearnedâŻpesosâŻon a new table saw.â
âElâŻZorro, you know full well my old saw needed a bigger, stronger table and fence to support my efforts to produce a remarkable new flute design.â
âYour answer was to buy aâŻusedâŻtable sawâŻââŻnot even a new one.â
âAâŻgentlyâŻusedâŻtable saw,âŻElâŻZorroâŻââŻtwo hundred dollars less than new and still amazing. Iâve checked it for square with my new reference square, checked the table for flatness, and recut my crosscut sled jigs to fit.
So why aren't you working?
âBecause I'm dealing with a skeleton with an overâinflated sense of selfâworth.â
âCareful there,âŻKidâŻââŻyouâre about to cross a line where Iâll be forced to take notice.â
âOkay,âŻKid, if you make sure Iâm out supervising and protecting the innocent, I wonât make allusions about your weight.â
âFine,âŻElâŻZorroâŻââŻI can do that.â
âOh, by the way,âŻKidâŻââŻwhereâs myâŻMt.âŻDewâŻand afternoon snack?â
âKid, I can always expect that youâll go the extra mile in disappointing me.â

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